K20D at 64 candle light memorial night

Updated Firmware

Just updated the K20D firmware, not much difference can be noticed so far.

Snap with DA14

With the wide angle-of-view of the DA14, I don't usually snap with it. However, in some circumstances such as congested city, it's good to have the extra coverage for snap.

On the other hand, the DA14 is a very good performer. You probable know it's a sharp lens, and you probably know it's excellent distortion control... but I think it's also very good in color and contrast reproduction. See the metallic color of the bike, and the rich color of the wooden doors.

Snap

Hey lady, should you wanted to feel if there was rain, please take off your glove first... LOL

Ten Thousand Buddha Temple

The weather is bad, so just focus on the interesting buddha sculptures there.

By DA14/2.8:

By FA77/1.8:

By FA77/1.8

Flower Show 2009, Hong Kong (with Vivitar Series 1 105/2.5 Macro)

Some shots with my Vivitar 105/2.5 Macro at the Flower Show. The lens is very old, the sharpness in great, but the pics are noticable light in color and low in contrast. These problems are easy to fix with digital, but the biggest issue is the poor performance in flare control.... I need a better macro lens for more serious works.

My first submission to online stock photo site

Ok, the photos from K20D was passed.

While the old 6MP istD is not technically good enough for stock photos, the K20D do a good job for that. Remember, the stock photo request a 48MB file, which is good enough to print a full page newspaper, on art paper.... I really think the file from K20D is as good as the old slides, if not better.

Why 6MP in Pentax istD is not good enough?

Recently I tried to upload some images to a stock photo site. The site is very picky in the technical details (I am glad that they are so), and they require the uncompressed file size to be no less than 48MB, that means the long side should be >5000 pixels (assume a 3:2 aspect ratio).

I enlarge some images from istD + DA16-45 @f/8 accordingly. The resultant image is too soft and been rejected by the stock photo site. See the 100% crop below (click image to enlarge):



I admit the image was shot with jpeg mode and not best from istD, but the RAW file don't give me much room either.

Then I try another image from K20D + FA/77@f/4 (also shot in jpeg mode, and also need a little bit enlarging in PS to meet the 48MB requirement). I am still awaiting the response from the site, but the 100% is much sharper (click image to enlarge):



Cross my finger....

p.s. I will give the istD one more chance and find some RAW file and do the same up-sizing... but I don't think it will look good....

I love FA77/1.8

The FA77 is small, light, and amazing quality!! The color is nice, it's sharp, and the bokeh is very good. I just love it!

A few shots from Hokkaido

Oh, the trip was 6 months ago... just start again to post some photos from the trip... I am so lazy. No excuse for myself :(

All photos by K20D,

with DA14/2.8

with FA77/1.8

with FA43/1.9

with DA14/2.8

Some more IR photos with istD

Further to the test before, here's are more try-out of IR photos with istD. With the better IR sensitive, I am able to shot at a lower ISO level (ISO800 in this test), and I am satisfy with the results.

I am in the process to get the correct focus at close-up photos with my Vivitar Series 1 105mm f.2,5 macro lens. Hope I can get some interesting macro / close-up IR photos later.

IR photos on Pentax istD

Learnt that the CCD in the istDs lets more IR light to lass through it's IR-filter, I took our my old istD, charge the battery and do a few test shot just outside my bedroom window.

As expected, the istD has the same exposure compensation factor - in my case of 850nm filter, it needs 13-stops. Although it sounds not a big difference to the 16-stops required by my K20D, it's a big difference in actual operation. At ISO-1600, a 13-stops compensation under the winter sunlight means a ISO1600, f/8, 2s; but with 16-stops compensation means ISO1600, f/8, 16s - a quite noticeable operation difference.

On the other hand, I can't find any bandings in these istD test photos. Sounds good, but it's not conclusive yet and more test will be needed.

Some more on IR photos

I posted some IR photos to my facebook page, and one of my friend was enticed and begin searching for more info about IR photography, and he find THIS PAGE (in Chinese).

According to this Taiwan guy, he gets good result with his istDS + 720nm IR filter; and he use his DS solely for the purpose of IR photos. He is bold enough to remove the internal IR pass filter inside his DS on his own, and replace it with an 720nm IR filter....

One of the major problem with IR photos (on digital) is the ultra low sensitive and hence long exposure time even under bright sunlight. This is because the internal IR filter was used to filter most of the IR light reaching the CCD / CMOS, and left only a very small portion for exposure. If you remove the internal IR pass filter, you can get a 'normal' exposure time. (The 720nm IR filter, as the guy replaced it for the original internal IR pass filter, merely filter off visible light spectrum and make sure the photo is not 'ordinary'.

The guy also said that we need to block the VF during exposure. Maybe that's the reason I get bandings / flares in my IR photos. More test is needed. I am also planning to try using my istD for IR. Or maybe I can get a 720nm filter too...

PS. I am a clumsy DIY man, and surely I cannot manage the complicated DIY job. ;(

Banding in IR photos

More tryout with IR photos, and I find that the K20D is not very suitable for this purpose. The huge 16-stop exposure compensation is one reason (and that's because the strong IR-cut filter in front of the CMOS); but the main problem is random banding appears on the picture.

The banding in the following image is not the worse one. At worst, the whole picture is not visible. However, the picture sometimes appears clean without banding..... Since it appears randomly, you cannot avoid it.

Also try the IR filter on my friend's istDs, banding is still there, but not that serious. The exposure compensation factor with IR filter for istDs is 13-stops, much better than on K20D. Maybe I should test my istD with IR.....

Infra Red photos

Ever since I started photography many years ago, I was always fascinated by the surreal effect of IR photos. I never tried IR photo thou because of the unexpected effect of IR photos would be very hard to manage with films.

With digital, I though it would be easier to try IR photos, and I just get a cheapy Made-in-China IR filter to try this new area of photography.

I was wrong about "digital-is-easy" thing.

On almost all digital camera, there is a infra-red filter in front of the sensor (CMOS or CCD) because the IR gets into sensor will create unexpected color pollution to the photos. Leica M8 had made this mistake and been complained of pink-tinted white color. The IR pass filter used on the K20D is quite effective, combining with the IR filter, the ND factor is a whopping 16-stops!! I have to resort to a min ISO-1600 under bright sunlight scene.

The logistic is also quite clumsy, and reminded me of dark-room works in the old days. Here's what need to be done:

1) Use a tripod. (even at ISO1600 and bright sunlight, it takes 30s and f/8 to make a correct exposure)
2) Frame your picture WITHOUT the IR filter (the IR filter is totally dark and you can't see anything in viewfinder after you put it on)
3) Focus WITHOUT IR filter
4) Put on the IR filter
5) Use manual on the camera, and set the aperture/shutter according to previous exposure tests.
6) Shift the focus to the IR focus mark on lens, if any. Too bad most lens today doesn't not have the IR focusing mark, so I need to GUESS. Gee......
7) When back home, tune the curve and level of the pic. Change to monochrome or change WB...

All in all, it's very fun. Obviously, the end-result is not good enough. But I enjoy it.

Old Film Photo

With my new Macbook and Aperture, I am now re-organizing my old photos into one single library, so I have a chance to remember my old photos again.

Attached photos was taken before DSLRs were invented. Though it's years ago, I can still remember the set-ups for this photo - in the old days, films are expensive, and I press the shutter with care.

Camera: Pentax Z1
Lens: Pentax FA 70-200/4-5.6 Power Zoom
Film: Fujifilm RDP
Filter: B&W Soft Focus

Oh, I like the old days!!

Apple Aperture

I am now trying to use Aperture on my new Macbook to organize my photos. After a few weeks' usage, I really like the program's simple interface; powerful editing / organization functions; and many many plug-ins are available. I can upload photos (together with notes and captions) to a number of social sites including Picasa, facebook, blog, gmail etc all in Aperture. So just one program can solve most of my photo organizing / uploading need. Cool.

However, I have a few complain about Aperture:
1) It's doesn't work very well with the Pentax EXIF - it can't read the lense's model name. Adobe's Lightroom, on the contrary, can read the full name of Pentax lense without problem.
2) The RAW interface of Aperture doesn't not have a quick preset of cloudy, sun... etc to choose. It just have the color-temp. slider to work on.

Overall, I rate the program at 85/100.

DA 10-17mm F3.5-4.5 ED

This lens has been a recent fad for Pentaxian in Hong Kong, and I can totally understand that - it's unique view angle; convenient to use; lightweight; legendary Pentax color....

Recently I borrow my friend's 10-17 for a few test shots. I used it snapping for only around 15 minutes, just get a basic feel about this lens.

In the 15 mins I am using it, I love it because my K20D is very snappy with lens - very fast focus, attractive when look into the viewfinder... etc. However, when I back home and view the photos on computer, I really don't like the distorted view angles of fish-eyes. I really prefer snapping with my DA14 instead.

Don't get me wrong - there is no quality problem of the DA10-17. It's indeed a good lens. It's my own problem I can't get in love with it - as always, I feels dizzy when I look at fisheye photos.... I am through with this lens - lucky me no need to spend extra money. ;)

Live view

The live preview function of the K20D is useful in shooting low angle shots like these 2 cat shots.

However, the AF doesn't work in the live preview mode, and you have to MF with the LCD screen. How in the right mind Pentax thing this is a good function? Not to mention the corse LCD screen, the reason I want to use the live view is because I don't have an convenient angle to look into the viewfinder; so How can I have a convenient angle to look at the LCD to focus??

Birds in park - by Tokina ATX 80-200/2.8

Photos with Tokina ATX 80-200/2.8 lens.

The lens is an old design, and the focusing clutch system is quite stupid - you are supposed to be able to switch AF/MF with a simple push-and-pull of the focus ring (just like the focusing clutch you find on FA*24 and FA*85), but you need to turn to the right position when you push from MF to AF position.... and the position depends on where you focus last time. Such a headache.

The AF of this lens doesn't work very good with my old istD, when the focus sometimes locked at obviously mis-focused. However, with my new K20D, I find the focus is quite good and FAST! The fast focus is mainly due to the internal-focus design of this lens.

Color-wise, the lens is quite of Tokina taste, which means low in color saturation. This is simply a matter of taste, not necessary a bad thing and this can be easily corrected in the digital world. Attached photos are un-altered in the color saturation, so judge yourself.

Broken lens - Tamron 70-300

A careless accident, I dropped my Tamron 70-300 lens on the floor. The zoom ring probably gets off-geared, and the lens doesn't zoom with the zoom-ring. However, it still can be zoom with push-and-pull of the lens barrel. Focusing and optics seems fine to me. Here's a few shots AFTER the crash - I think it's fine.

Zoom vs Prime

Thou I already know the difference between a prime lens and zoom lens, I never know the difference is so HUGE. Attached is a direct screen shot, showing 100% view of 2 photos taken at almost the same time. The prime lens is FA77/1.8 @ f/5.6, and the zoom is F70-200/4-5.6 @f/8.

I guess there should be no difficult to tell which photo is by which lens.

A few food shot with FA43

ALthough the new K20D has much improvement over my old istD, I am still not very happy with the white balance of K20D. At AWB, it does not correct the indoor lighting perfectly - something expected and accepted because some photographers may want to retain the atmosphere. However, those pre-set WB does not handle different light source well enough, especially with the yellowish energy-saving bulb and the yellow quartz light bulbs.

In some of the following food shots, I tried a few WB settings in preset WB, but can't get a good result. So I need to reshot in RAW and correct it back home. But I don't always have the luxury of these extra time - the dishes can wait for me to take the picture, but not everything else.

Back from Hokkaido trip

Before the trip, I struggled which lens to bring to the trip. Finally, I decided on DA14, DA21, FA43, FA77 and F70-200. I only used the tele zoom in a few shots, so almost all photos were shot by the prime lens. They are great!! Since the 3 limited lens are very small and handy, I don't feel any extra burden to carry the 4-primes around (yes, I just leave the zoom on the car if I don't feel it necessary).

The trip was with my family and friends, and none of them like photography. So my travel-mates tends to move very very quick, leaving not much time for me to take photos. Complicated with teh bad weather :( :( :( .... I just left my tripod on car and put the camera in P mode. BIG MISTAKE!! The camera will tends to select f/5.6 on those limited lens and the DPF is not quite enough for scenery shots. I really shot leave the camera to AV mode so I will be forced to notice the aperture setting.

While I set the camera to JPEG, I toggled to RAW+ format when I feel needed. However, I didn't notice the RAW+ will be cancelled everytime after the shot, and it created some additional troubles. Yes, I know now there is a setting in the camera to leave the RAW+ format until I cancel it by pressing the RAW button again; but it's a bit late.

I am still selecting the photos, so just post 2 kid shots with my DA21. Very good lens indeed.




Just back from a 8-day trip to Hokkaido.